By Mona Atia
Charity is an fiscal act. This premise underlies a societal transformation—the merging of non secular and capitalist impulses that Mona Atia calls “pious neoliberalism.” even though the phenomenon spans non secular traces, Atia makes the relationship among Islam and capitalism to ascertain the spectacular kinfolk among charity and the economic climate, the country, and faith within the transition from Mubarak-era Egypt.
Mapping the panorama of charity and improvement in Egypt, Building a home in Heaven reveals the standards that modified the character of Egyptian charitable practices—the state’s intervention in social care and faith, an Islamic revival, intensified fiscal pressures at the negative, and the following emergence of the personal quarter as a serious actor in improvement. She indicates how, whilst members from Egypt’s deepest area felt it essential to handle poverty, they sought to make Islamic charities paintings as engines of improvement, a convention that modified the functionality of charity from dispensing items to empowering the negative. Drawing on interviews with key avid gamers, Atia explores the geography of Islamic charities via a number of neighborhoods, ideologies, assets of investment, tasks, and extensive social networks. Her paintings shifts among soaking up ethnographic tales of particular firms and reflections at the styles that seem around the sector.
An enlightening examine the simultaneous neoliberalization of Islamic charity paintings and Islamization of neoliberal improvement, the e-book additionally bargains an insightful research of the political and socioeconomic activities major as much as the uprisings that ended Mubarak’s rule and that amplified the significance of not just the Muslim Brotherhood but in addition the wider forces of Islamic piety and charity.
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Additional info for Building a House in Heaven: Pious Neoliberalism and Islamic Charity in Egypt (A Quadrant Book)
Building a House in Heaven: Pious Neoliberalism and Islamic Charity in Egypt (A Quadrant Book) by Mona Atia